Nat Cann is a Canadian printmaker whose projects hone upon the haunting of lands – ideologies and industries keeping afloat Canadian notions of colonial heritage and their subsequent degradations. These notions of commorancy are further expressed through lens based printed matter, material choice, and installations.

Nat Cann has exhibited across Canada, and has gratefully acted as a mentor, instructor, and technical assistant to numerous students and professionals unversed in printmaking. Nat has been granted numerous residencies and his recent print projects have been intertwined with a variety of publications, exhibitions, and research grants. His work has been consistently supported by ArtsNB’s funding programs and the Canada Council for the Arts.

Nat obtained his BFA from Mount Allison University (2012) and now resides in Moncton, New Brunswick, an Acadian colonial city which sits on the unceded territory of the Wolastoqiyik (Maliseet) and Mi’kmaq Peoples.